Barry Eisler is arguably the best action thriller writer working today, though you’d never know it by Fault Line. He’s better than Lee Child, Jack Higgins, Brad Thor, Kyle Mills, Vince Flynn, even Daniel Silva, who is his nearest competition. Yes, he really is that good. His plots are intelligent, his world building some of the best out there (that’s also Silva’s greatest strength) and his action realistic. His characters have depth, his ability to paint an atmosphere with words rivals Silva and his action scenes are as good as anyone’s – maybe better. That’s why this book seems like a more spectacular failure than it really is. If this was Mills, Thor, Flynn, or Higgins I doubt I would judge it so harshly. Child has slipped lately, just not as badly. Sliva’s deterioration is much more subtle and involves his plots and lead character, so only his hardcore fans really see it. This was the literary equivalent of a NASCAR wreck.
The premise of Fault Line is not all that original. The whole concept of encryption that is nearly unbreakable is one that’s been done before. Versions have even played out in the news over the years as the government has forced various encryption software manufacturers to turn over source code so they can break encrypted files, always invoking the argument that it a matter of public safety and national security. Neither is killing off the creator of an encryption code. Even Windtalkers had a version of ‘kill the source code’, in that case it was shoot the code talker as a key plot element! Right from the start, the plot has no new ground, so Eisler set himself a formidable task: find a new take on a well explored area and make your characters different yet believable.
Next are the three key protagonists, again they’re predictable and shallow: Ben Treven is the eldest son in a family of three and in some ways a misfit in his family. He’s the athlete who became a soldier, not the academic his family wanted. A former Ranger, he now works as an assassin for a black ops military unit. He believes people should be grateful to him and others for protecting them and has a certain disdain for those ordinary people. Alex Treven, the youngest, is a super smart kid who always showed off and acted like being smart somehow makes him better than others. Now he’s clawing his way up to a partnership in a major law firm with a specialty in patent law. His condescension toward others and scheming against his nominal boss is totally believable. Richard Hilzoy’s encryption patent is his ticket to the coveted partnership. Sarah Hosseini is a young first year associate at the firm and another smart patent lawyer. The only child of Iranian parents caught in the US when the Shah was overthrown, she’s trying to make her parents happy by being a successful lawyer. She’s smart and beautiful, but not all that happy or satisfied with her career. Ten years younger than Alex, she hasn’t developed his arrogance or lust for the trappings of power.
Finally there is the inter-character tension, which Eisler built with a really old plot device of childhood angers and another round of clichéd tragic family events – a sister killed in a car accident, a father’s suicide – that shapes how the brothers interact. Ben believes himself more virtuous and deserving of thanks for the dangerous and deadly work he does for ‘the nation’. Alex believes himself the more virtuous because he was the one who stayed home and dealt with all the emotional fallout of their sister’s death, their father’s suicide and their mother’s cancer while Ben was off playing solider. Frankly, I thought they both needed to just GROW UP and please, dear God, get over themselves. (All that was missing was the Smothers Brothers doing their “Mom Always Liked You Best!” routine.) Not to mention the whole thing plays out in flashbacks throughout the book like some new kind of psychological torture for readers. (more…)